New Pattern: Ahenny Celtic Cross

I've just added a new pattern to both my Etsy and Payhip shops.

 

 

Ahenny Celtic Cross is already one of my favourites and was a joy to work on. It is inspired by knotwork carved onto the North Cross, one of the two high crosses at Kilclispeen Cemetery, Ahenny, County Tipperary, Ireland.

 

The two stone crosses are all that remains of a monastery that was on the site and are believed to date from the eighth or ninth century. They are amongst the earliest examples of ringed crosses.

 

 

This pattern is perfect for those of you who love Celtic art or who want to stitch something connected to ancient Ireland.

 

This will be the last Celtic design I release for a while as there are other design projects I'll be concentrating on for the next few months. My main priorities are forthcoming bird collection to compliment my popular bullfinches design and the Leopold alphabet.

 

Unfortunately, the Pentrich revolution embroidery project has been cancelled due to lack of support. This is very disappointing for me and the organisers of the project but they still have plenty of other things planned. I may still be able to donate a contribution to the art exhibition if I can find the time to make something.

 

 

I have also updated my logo and Etsy shop banner to freshen things up a little. I'll be updating all of my pattern cover pages with this new look too.

 

 

To buy the pattern, you can either click on the Etsy listing at the top of the page or click below to go to my Payhip shop.

 

https://payhip.com/b/nciR

Etsy prices - EU VAT update

I wrote in an earlier post how EU VAT is affecting sellers of digital products, no matter how small the business is. To recap, any business, regardless of its size, is now obliged to charge EU VAT to customers that live within the European Union.

 

In January, Etsy announced they would put systems in place to deal with this tax. Last week the system was introduced and so if you live in an EU country, you will see that my prices have increased. The price that you see will have increased by the EU VAT rate in your country. For the UK, this is 20%.

 

The price is calculated and added automatically and Etsy will take care of the tax. Unfortunately, because I'm not selling directly to customers in the UK, the tax still applies to sales to UK customers.

 

This is completely beyond my control and Etsy are only doing what the law requires them to do.

 

If you buy from my Payhip shop, EU VAT is added at the checkout.

 

There is a strong campaign to get the EU to introduce a reasonable threshold that will mean small businesses no longer have to charge this tax. If you would like to know more about how EU VAT will affect you as a business owner or customer click the link below.

 

http://euvataction.org/

Making Plans

My floss box

It's that time of year - the Summer Slump, but that doesn't mean I'm not capable of creating heaps of work for myself. I've been really busy making plans for what I want to do over the coming months.

 

You may have seen my Leopold B design. Since I first stitched it, I've been planning to create a whole alphabet but until now I haven't got around to it. I've decided to shrink the letters so they each fit into a 6-inch hoop. It's going to take a while before they're ready to go on sale but I'm very excited about how they're going to look.

 

 

I'm also creating a series of bird designs to go with the bullfinches which are already on sale. Here's a sneak-peek at some of them. There's also a robin which will be ready later this year.

 

 

I'm also giving my Festive Bauble design a makeover: I'm changing the colours and resizing it as I wasn't completely happy with the original. That will also be available later this year.

 

I've been commissioned to make a wedding sampler which I have to keep secret for now but I'll show you how it turns out once it's been delivered to the happy couple. The wedding is in October so you'll have to wait a bit longer to see it!

 

I also have plans to give my online shops a new look. It all needs freshening up a little bit so this is another ongoing project for the next few weeks. I can't wait to put all the pieces together and when it's ready I'll tell you all about it here on Beneath the Hawthorn Tree.

 

As far as the blog itself is concerned, I want to add more tutorials and hints and tips etc so I'll be making a list of ideas for that. I'm also planning on launching a new personal blog for nature notes and musings as I want this blog to be focused on embroidery and crafts.

 

This is only part of my to-do list so as you can see I have plenty to keep myself occupied! I'll keep you posted on everything. In the meantime, you can follow me on Twitter, Instagram and Facebook as well as popping into my Etsy and Payhip shops.

 

Make the most of the long days while they last!

 

Happy crafting! 

New Pattern: Gallia, Goddess of Gaul

We've been enjoying beautiful weather here in the Amber Valley for the last few days so I've been working with the window open. As I write there are swifts, swallows and house martins flying over and the roses are in full bloom.

 

It's that time of year when we can enjoy crafting outside for a change. I have just added my latest pattern to my Etsy and Payhip stores: meet Gallia, Goddess of Gaul.

 

 

This design is based on an image found on a Roman coin dating from the middle of the first century. The region that the Romans called Gaul covered much of central Europe from France to Switzerland and parts of Italy, Germany and the Netherlands. You may also have heard of it as the home of Asterix and his friends!

 

There are a number of variations on this image on different coins. Some are described as being a captive Gaulish woman but others are said to show the land of Gaul represented as a goddess. There is a reference to Gallia in an inscription on the remains of a Roman garrison near Hadrian's Wall called Vindolanda but very little is known about her. It may be that she was more of a symbol, like Britannia or Marianne.

 

Whatever she may have meant to the people of Gaul, she is a strong image of ancient womanhood. Rather than being made to look pretty, she has dishevelled hair and a defiant gaze which speaks to women in the 21st century.

 

You can buy the pattern by clicking on the Etsy listing at the top of the page or by clicking here to go to my Payhip shop.

 

(c) Karen Eley/The Hawthorn Tree

 



An experiment with variegated thread

I posted the above picture on Instagram. It's my Summer Solstice pattern with a skein of DMC stranded cotton, shade 90. As you can see, it perfectly matches the shades I have chosen for the pattern and I think it will make a great alternative if you want to give your version a completely different look.

I received a comment from Elizabeth Braun of the Sew In Love blog who correctly pointed out that variegated threads can give "a random, unpredictable" result and may not always work out the way you want. This is a very good point and I thought I'd better do some experimenting to see what happens.

Here is a length of the thread. Usually when I work with stranded cotton, I use a length that reaches from my finger tips to about an inch below my elbow but with variegated threads, I like to use a length that has all of the different tones in it. This is because you always lose a little of it when you cast off and snip the thread. This means the tones may not change as smoothly as you want them to.

The tones in this thread change from a deep, golden yellow to almost white.

Next, you have to think about how you're going to work your stitches. I usually work in rows making the first diagonal in one direction and then coming back making the second diagonal. You may prefer to complete each cross as you go. I wanted to see what difference each of these techniques would make to the appearance of the variegated thread.

I began with my usual method.

My first length got me this far...

When I threaded my second length, I threaded the opposite way to the first so I could carry on with the tone I had finished the first length with. Here is the finished circle...

 

It looks better in 'real life' but you can see it gives a very pleasing result.

The second circle (on the right) has been worked one cross at a time. There isn't a huge amount of difference in how the individual tones look but this technique uses more thread and so there is a bit more variation in the overall result.

I also stitched a circle working one cross at a time in a clockwise spiral, starting at the bottom.

I think they have all given interesting results but I prefer the first one because I like the subtle blending of the different shades.

The circles I used for practising are smaller than those in my design and so you may get different results when working on a bigger scale. However, I definitely think it's worth thinking about and having a play with. As with most of my patterns, Summer Solstice (and it's sister pattern Winter Solstice) has the potential to be adapted to different colours and there's no 'wrong' way of stitching it.

Have you ever used variegated threads? What projects have you used them for? What did you think of the results? Let me know in the comments below or by getting in touch on Twitter, Instagram or Facebook.

To buy the Summer Solstice pattern and browse my other designs see my website hawthorntreedesigns.com

You can read Elizabeth's blog Sew In Love by clicking here.



Wise Little Owl - A Free Pattern

I have just reached a little milestone on Instagram by gaining my 100th follower. I am very grateful to everyone who has supported me and my work so far and I now have a little treat for you all.

 

Last year, I bought some cute little owl buttons from Pocket and Pin, an online haberdashery full of exciting things. As soon as saw the little owls I knew I wanted to use them - but how?

 

Looking through a magazine, I found an article on antique samplers and one of them, made by Sarah Doggett in 1815, featured many motifs of plants and birds. One of them was of a bird perched in the branches of a tree. I knew then how to use the owl buttons!

 

 

I have adapted the motif so that it fits neatly into a 4-inch (10cm) hoop and there is a little space for the owl to perch.

 

As a thank you for all the support I've had so far, you can download this pattern for free from my Payhip Shop.

 

If you'd like to follow me on Instagram, you can find me as @HawthornTree_xs

 

Thank you and happy stitching!

Something Old, Something New

If you've already had a look of the patterns I have available, then you'll know I have one based on a carpet page from the Book of Durrow. This is an ancient manuscript dating form the 7th century and is believed to be the oldest of its kind. It is currently housed in the library of Trinity College, Dublin.

 

 

A carpet page is a page that is covered in artwork rather than script. You cannot help but think of the monks who meticulously marked out the design before carefully drawing it and adding the right colours. The palette for such designs was fairly limited at the time as the colours were all derived from natural materials, and some of them were very expensive.

 

The modern stitcher has no such problem, we can choose from hundreds of colours and several different threads. I have stitched both of my Durrow-inspired designs in modern shades.

 

It occurred to me that not everyone is as obsessed with Celtic design as I am and not everyone would want to take on a project that is as large as my original pattern. So, I have adapted it to fit into a 7-inch hoop and I've stitched it in a fresh set of colours to give it a different look to the original. Of course, if you would like to choose your own choice of colours then please feel free to do so. Simply use my pattern as a guide. 

 

 

You can find the pattern in my Etsy shop by clicking on the listing at the top of the page or you can click here to go to my Payhip shop.

 

 

I'm currently working on a fun little pattern that I'll be releasing as a freebie very soon. If you'd like to keep in touch you can find me on Twitter, Facebook and Instagram.

 

Photos (c) Karen Eley 2015